Posts Tagged ‘RIP’

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I had never heard of the Rashi Fein, who died last week, until today. Apparently, he developed ideas for Medicare legislation in the 1960s and criticized the nation’s inability to create a federal single-payer system for healthcare.

He was also a critic of the language of commodities (in a piece that appeared in 1982 in The New England Journal of Medicine):

A new language is infecting the culture of American medicine. It is the language of the marketplace, of the tradesman, and of the cost accountant. It is a language that depersonalizes both patients and physicians and describes medical care as just another commodity. It is a language that is dangerous. . .

In speaking the new language, doctors have adopted the attitudes and methodology of economics — a narrow economics that emphasizes efficiency more than equity. Everything is to be evaluated in terms of benefit-cost relations, and cynicism has become apparent in the discussion. . .

In no small measure, physician-administrators speak the language that they speak because they reflect the world in which they live and the system in which they function. If society wants them to use different words, it must create conditions that encourage them to do so. . .

A decent medical-care system that helps all the people cannot be built without the language of equity and care. If this language is permitted to die and is completely replaced by the language of efficiency and cost control, all of us — including physicians — will lose something precious.

I cannot guarantee that we will structure the system in a way that will emphasize compassion and human values. I do believe, however, that these values cannot be nurtured in a cultural soil in which patients are described as teaching material, a medical practice is described as a business, delivering medical care is described as producing a product, and human interactions are increasingly described in terms of financial transactions.

Jonny Winter RIP

Posted: 17 July 2014 in Uncategorized
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Jonny Winter was one of the great guitarists to emerge in the blues revival of the 1960s and 1970s.

Here are a few more of his songs that have become classics:

 

 

Charlie Haden RIP

Posted: 12 July 2014 in Uncategorized
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Charlie Haden, a great bass player, and one of the truly revolutionary jazz artists of the past century, died yesterday.

Here are three other selections from his life’s work:

 

 

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source

Maya Angelou, who died today, wrote this poem in 1928:

Still I Rise

You may write me down in history
With your bitter, twisted lies,
You may tread me in the very dirt
But still, like dust, I’ll rise.

Does my sassiness upset you?
Why are you beset with gloom?
‘Cause I walk like I’ve got oil wells
Pumping in my living room.

Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I’ll rise.

Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops.
Weakened by my soulful cries.

Does my haughtiness offend you?
Don’t you take it awful hard
‘Cause I laugh like I’ve got gold mines
Diggin’ in my own back yard.

You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I’ll rise.

Does my sexiness upset you?
Does it come as a surprise
That I dance like I’ve got diamonds
At the meeting of my thighs?

Out of the huts of history’s shame
I rise
Up from a past that’s rooted in pain
I rise
I’m a black ocean, leaping and wide,
Welling and swelling I bear in the tide.
Leaving behind nights of terror and fear
I rise
Into a daybreak that’s wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.

Gabriel Garcia Marquez, the Colombian writer and political activist, in Mexico City in 1976.

During all those years I spent working in and on Latin America, reading the works of Colombian novelist Gabriel García Márquez (along with those of a few others, such as Mário de Andrade, José María Arguedas, and Carlos Fuentes) helped me understand what was going on—from the real effects of colonialism and the wielding of power by corrupt dictators to the magic contained in everyday life.

Now that we are beginning to understand that the United States is an oligarchy, not a democracy, where is our own García Márquez?

 

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Ernesto Laclau was, by all accounts, a decent, gentle man and a path-breaking scholar on the Left.

I first became aware of Laclau in terms of his participation in the famous “modes of production” debate in the 1970s (I was working on my senior thesis at the time, on modes of production in Peruvian history). Later, of course, Laclau shifted his attention to the theory of hegemony, radical democracy, and new social movements (in work with his wife Chantal Mouffe) and then finally to populism.

I met Laclau only a couple of times, most recently at the Rethinking Marxism 2006 conference, where he spoke in a plenary session (along with Ella Shohat and Antonio Callari) on “Imperialism and the Fantasies of Democracy.” He was a member of the international Advisory Board for Rethinking Marxism from its inception.

This is from an interview conducted in 1998:

Ernesto, what were your first political experiences?

Laclau: Well, my first political experiences were in Argentina. In fact, I only went to Europe in 1969. So, my first approach to Marxism, to socialism, took place both in the student movements and in the political struggles of the 1960’s in Argentina. At that moment, these were the years immediately after the Cuban Revolution, when there was a radicalization of the student movement all over Latin America, and I was very active in it. I was a student representative to the Central Council of the University of Buenos Aires, president of the Center of the Student Union of Philosophy. And later on, I joined various left-wing movements in Argentina. Especially, I was part of the leadership of the Socialist Party of the National Left which was very active in Argentina in the 1960’s. In terms of intellectual influences, I must say that I was never a dogmatic Marxist. I always tried to, even in those early days, to mix Marxism with something else. And a major influence at some point became Gramsci and Althusser, who, each of them in a different way, tried to recast Marxism in terms which approached more, the central issues of
contemporary politics.

One of the themes of your early work that’s been quite influential, perhaps, primarily in Latin America, but also more widely, is your analysis of populism. How does that entail a revision of Marxist theory of the time?

Laclau: Well, let me say in the first place, that my interest in populism arose out of the experience of the Peronist movement in Argentina. The 1960’s have been a period in Argentina of rapid radicalization and disintegration of the state apparatuses controlled by an oligarchy which had run the country since 1955. Now, it was perfectly clear, in that context, that when more and more popular demands coalesce around certain political poles, that this process of mass mobilization and mass ideological formation could not be conceived simply in class terms. So, the question of what we call the popular democratic, or national popular interpolation, became central in my preoccupation. Now, in terms of what you were asking me, about in what way this put into question some of the categories of Marxism, I would say that it did so in the sense that popular identities were never conceived as being organized around a class core, but on the contrary, were widely open. They could move in different ideological directions, and they could give a place to movements whose ideological characteristics were not determined from the beginning. So, it put into question in that sense, some of the tenets of classical Marxism.

Paco de Lucia RIP

Posted: 26 February 2014 in Uncategorized
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I own many of Paco de Lucia‘s albums and had the privilege of twice hearing him play in concert. He was both an accomplished flamenco guitarist (as above) and an innovative jazz musician (as below).