Posts Tagged ‘Carlos Fuentes’

Gabriel Garcia Marquez, the Colombian writer and political activist, in Mexico City in 1976.

During all those years I spent working in and on Latin America, reading the works of Colombian novelist Gabriel García Márquez (along with those of a few others, such as Mário de Andrade, José María Arguedas, and Carlos Fuentes) helped me understand what was going on—from the real effects of colonialism and the wielding of power by corrupt dictators to the magic contained in everyday life.

Now that we are beginning to understand that the United States is an oligarchy, not a democracy, where is our own García Márquez?

 

Mexican novelist Carlos Fuentes has died at the age of 83.

He tended to embrace justice and basic human rights regardless of political labels. He supported Fidel Castro’s revolution in Cuba, but turned against it as Mr. Castro became increasingly authoritarian. He sympathized with Indian rebels in the southern Mexican state of Chiapas and skewered the administration of George W. Bush over its antiterrorism tactics and immigration policies, calling them unduly harsh.

He was also critical of Venezuela’s leftist leader, Hugo Chávez, however, calling him a “tropical Mussolini,” and of his own country’s failure to stem its rampant drug violence.

Here is an excerpt from Destiny and Desire, his latest novel:

Permit me to introduce myself. Or rather: introduce my body, violently separated (you know this already) from my head. I speak of my body because I’ve lost it and will not have another opportunity to introduce it to all of you, gentle readers, or to myself. In this way I can indicate, once and for all, that the following narration has been dictated by my head and only my head, since my detached body is nothing more than a memory: one that can be transmitted and left in the hands of the forewarned reader. . .

I am a twenty-seven-year-old man, one meter seventy-eight centimeters tall. Every morning I look at myself naked in my bathroom mirror and caress my cheeks in anticipation of the daily ceremony: Shave my beard and upper lip, provoke a strong response with Jean-Marie Farina cologne on my face, resign myself to combing black, thick, untamable hair. Close my eyes. Deny to my face and head the central role my death will be certain to give them. Concentrate instead on my body. The trunk that is going to be separated from my head. The body that occupies me from my neck to my extremities, covered in skin the color of pale cinnamon and tipped with nails that will continue to grow for hours and days after death, as if they wanted to scratch at the lid of the coffin and shout I’m here, I’m still alive, you made a mistake when you buried me.